Blog Archives
Desert Island Discs
As the radio show Desert Island Discs celebrates its 70th year of broadcasting this weekend, it set me on a train of thought about hypnotic/trance recordings, and not just because I find the idea of the show’s presenter Kirsty Young performing a hypnosis session an appealing, if unlikely prospect. In the show the guest is invited to imagine themselves cast away on a desert island, and asked to choose eight pieces of music to take with them and discuss the reason for their choices. So in homage, here (in no particular order), are the eight hypnosis/trance recordings I would take on a wind-up/solar powered mp3 player, and my reasons for their choice.
‘Bliss Boost’ by Lady Christine - FemDomme Hypnosis. Some of the deepest, wildest and most intense trance experiences I have enjoyed have been with Lady Christine’s extraordinary ‘Bliss Boost’. A conditioning session that constantly delivers the deepest of trances, it rewrote my expectations of what can be achieved under trance from a recording. Lady Christine’s voice is naturally hypnotic, it’s velvety and sensual tone stays with me long after the session has ended; I just need to think of Lady Christine’s voice and I begin to drift. As well as the mental stimulus, I also regularly experience a range of physical sensations like numbness, prolonged skin tingling, and an acute sense of paralysis. When I want to be thrilled by trance, to feel trance, to experience trance, then I need only turn to ‘Bliss Boost’.
‘Rising Fall’ by Isabella Valentine - Erotic Hypnosis. Ignoring the obvious irony of taking a recording featuring a beach front visualisation, there was no way I could leave this masterpiece behind. Producing perhaps the most immersive and spiritually uplifting experience I have had in trance. Isabella’s impressionist composition is rich with evocative dialogue, perfectly performed, and immaculately produced. Isabella verbally paints a visualisation the way Monet paints a landscape; small visible brush strokes, an emphasis on light, movement, and human emotion. This may be as close to coffee table book as erotic hypnosis ever gets. The trance feels vibrant and kinetic; the journey is deeply satisfying.
‘Visualization Induction’ by Madeira Darling - Hypnosis Induction. A classic approach to the induction with no effects or background music, just an impeccable delivery of a script that works. Unfailingly producing in me a delightfully warm and pleasant trance, this is a superb session and one of my favourite and most trusted inductions. Madeira’s voice is breathy, enchanting and sensual. I discovered this session during Madeira’s brief flirtation with hypnosis a few years back and it still proves its quality with results. I am as enchanted with this induction now as the first time I heard it.
‘Control Chip 1–Activation’ by Shelle Rivers - FemDomme Hypnosis. I do not usually write about Shelle Rivers sessions because I cannot do so objectively; I am totally and utterly biased. I could have chosen from a long list of Shelle’s recordings that I adore, but this one I wouldn’t ever want to be without. Originally, it caught me completely off-guard, overwhelming me emotionally, I feel deeply and totally to Her. I had never expected a recording could affect me so, and still continue to do so. Think of that love song you can never let go of, well this is mine. Shelle Rivers is a wonderfully soft and sensual HypnoDomme with a library full of creative and effective recordings. She is the reason for my obsession.
‘The Inception’ by Cathy Venus - Fantasy Hypnosis. An hypnotic adventure adapting the concepts of the movie it was inspired by to create an absorbing and enjoyable experience. The deepening is wonderfully worked into the narrative progression and the central theme of a ‘dream within a dream’ is admirably realized. This is one of my favourite hypnotic adventures as it rouses my imagination. I thoroughly enjoy the tension and excitement of the story and the score, and I am always surprised by the depth of the trance itself. I find warmth under Cathy’s influence, and fun and entertainment throughout Her sessions.
‘Anesthesia’ by Diamond Diva Princess - FemDomme hypnosis. There is no one quite like the Diamond Diva Princess. Her sumptuous brainwashing recordings are a delectable experience, each one is an extravagance. ‘Anesthesia’ was perhaps the first of Her recordings I experienced and instantly became totally enraptured with Her. I was simply dazzled. This session stirs strong emotions of submission and manipulation in me; it is financial domination at its most opulent. If I had to make a case for hypnosis media as an art, ‘Anesthesia’ would be my prime exhibit. I adore Diamond Diva for many reasons, but most especially for the magnificence of ‘Anesthesia’.
‘Lux et Veritas’ by Mira Stern - FemDomme Hypnosis. When I think of Mira Stern recordings, I think of intelligent, often profound scripting. I think poetry, I think stimulation, and I think inspiration. I think ‘Lux et Veritas’. A relaxation session that takes me progressively deeper throughout, providing a wonderfully vivid sense of journey, and an ending that literally takes my breath away. A script as astute as it is poetic, and a tempo superbly crafted. Mira’s recordings excite me because She above all others engages my mind and imagination during a trance. Her use of language and idiom is remarkable, there is often a substance and texture in and between Her every word. A Mira recording was a certainty, the only question was which.
‘Nikki’s Chair’ by Nikki Fatale - Erotic Hypnosis. Oh the sumptuous purr of Nikki Fatale! The most distinctive, richly seductive, lascivious, and salacious voice in all erotic media. It was ‘Nikki’s Chair’ that first taught me that a seductive vocal, much like the scent of nylon or the touch of silk, can be every bit as erotic as any visual stimulation. There is nothing suggestive here, no hint at the erotic, no whispers of the sexual, just an upfront, raunchy, voluptuous, sexual seduction. This is Viagra for the mind. An unashamedly erotic, Femdomme hypnosis session. From the first word till the last, the whole session is sexually charged, the trance is ravishing, the script… scandalously stimulating.
n.b. – I decided to restrict the list to available recordings otherwise my custom sessions by Tessa Fields would defiantly have featured, as would my first ever trance recording by Mistress Marisa, which sadly seems no longer to be available. Also allowing myself only one recording from each individual artist caused many an anguished decision. Perhaps on another day, in another season, this list might look very different; but on this day, I am very satisfied.
Lucid.
Links: ‘Bliss Boost’, ‘Rising Fall’, ‘Control Chip 1–Activation’, ‘The Inception’, ‘Anesthesia’, ‘Lux et Veritas’, ‘Nikki’s Chair’, Madeira Darling can be found at clip4sale (store 37807).
Present Perfect by Mira Stern.
I have a penchant for the standalone trance induction as I previously posted in ‘Three inductions…’, and now I have another favourite to add to that playlist.
Present Perfect by Mira Stern.
There is simplicity, and then there is refinement, and it is here that I found Mira Stern’s ‘Present Perfect’ sitting perfectly presented. An induction of precision and modesty, subtlety and polish. There may be little of the opaque word play that I find so characterises Mira’s other sessions in my collection, none of the avant-garde of ‘Lex et Veritas’, or the extravagance of ‘Tabula Rasa’ here, but that does not mean this session is in any way prosaic. There is charisma in ‘Present Perfect’s’ composition that only Mira Stern can bring, a beauty in its simplex munditiis, and underneath it all there is a definate sense of the romantic; but most of all there is refinement. Nothing seems wasted, not an imprudent word nor a breath misspent. To put it simply, this is a very elegant and effective induction.
Ambience is rooted early with a temperate music background from the beginning and barely audible whispers which, when stretched for, spread rumour and expectancy of what is to come. It is a little over two minutes before the main vocal arrives; as always Mira’s voice is mellifluous as an autumn breeze, yet accented with salience and the undercurrent of a whip. The restrain of the lead vocal sets the tone for the whole induction. Nothing is rushed, no compromise given, everything in its own time. As is usual in a Mira Stern recording, every word is clear and pronounced, easy to follow and a perfect pitch found between the main vocal and background.
The induction process itself is a progressive relaxation. A foundation is set upon the breathing, and atop this is lain multiple layers of deepeners and NLP inspired suggestions. Resistance seems not to be tolerated, and I soon found myself dropping swiftly at Mira’s insistence. I found arousal in the exertion of this little pressure, but then again, I usually find the mere anticipation of Mira’s voice is enough to rouse. Time is easily forgot and feels of little consequence during this session, and yet I found myself surprised at the twenty minutes of playtime, it felt shorter. More than often that this particular style of induction will lead to a particular style of trance; few fireworks or thrills, but utter delight in smoothness and fluidity. The statement of intent for this session was to induce a deep trance experience, and for this listener that mission is accomplished on every visit.
My personal choice to follow up this induction might be a sensual hypnotic fantasy to stir the blood, or perhaps just a bolster to a favourite session whos own induction might be lacking. Musically I might seek to maintain the ambience with Tavener’s Lalishiri cycle, or Chopin’s Nocturnes, although inexplicably I cannot shake the urge for Tchaikovsky’s The Nutcracker?! Mostly though, I see this trance induction being set apart as a perfect antidote to a maddening day.
Thank You Domina Stern,
Lucid.
Links: Mira Stern, Present Perfect.
A week in hypnotic bondage…
Perhaps the one thing I miss most from Dominatrix led BDSM sessions is the bondage. Bondage itself is a broad church, stretching from the eroticism of bedroom silken scarfed foreplay, the lascivious power exchange of the dungeon role-play, to the sensuality and artistic precision of rope bondage. When I think of the word bondage, my immediate thoughts go to the BDSM role-play variety, being chained to a cross, strapped to a bench, hog-tied in suspension. What I adored most and what I still find most mouth-watering, was the feeling of helplessness, the hapless struggle against the bonds, being at the total mercy of a Woman. Yet at times there was something more to it than that, there was on occasion an overwhelming sensuality in watching the woman bind me with such deliberation and meticulousness that it became an art. There was a spirituality underlying the whole experience, a freedom in constriction, a release for which I’ve yet to find a substitute. One of my most prominent memories is my first experience of rope bondage. A diminutive Russian Mistress, dressed in classic little black dress, nylons and heels, nonchalantly, expertly, and sensually hogtied me. It was the process that was so delicious, the feel of every rope turn on my skin was electric, and the feeling of utter powerlessness and vulnerability when it was through eclipsed any previous experience of strap or chain. There is a misconception about rope bondage in particular, that you have to be submissive to indulge in it. Taken away from the BDSM environment and it becomes something thoroughly sensual, a spiritual experience equally appreciated by Domme and sub alike.
When Domina Stern announced She was working on a rope bondage hypnosis recording, suddenly every memory came flooding back. I recalled other bondage themed sessions I had heard from other Hypnodommes and thus my bondage themed hypnosis week was born.
The first session I chose to listen to was ‘Bound and Milked‘ by Mistress Alexandra of EroticMP3Store. I’ve always enjoyed this Lady’s recordings; most are not hypnosis but are very erotic fantasies and story-telling. Every recording I’ve heard is well produced, lascivious in its performance, and always super sexy, and that’s also what I got from this recording. Using no audio effects or background music I found Mistress Alexandra’s vocals lustful and arousing throughout. The initial induction felt light but was soon followed by a long series of deepeners and the confusion induction is very well played out. It took me a while to relax as Alexandra’s voice is somewhat exciting, and when I did eventually fall to trance I was unable to drop very far at all. But to be fair, this is a classic hypno-fantasy, there is little need for a deep, deep abstraction. I was simmering under the surface, literally at times, and it was a pleasant place to be. This recording is packed full of triggers, suggestions, and the odd physical sensation. The bondage element is centred on being strapped to a wooden x. Whilst I couldn’t get a feel for the constriction, nor the straps, I certainly felt some of the physical sensations Mistress Alexandra’s actions induced. As Alexandra Herself suggested, the inner thigh is rather sensitive. There are more themes to the suggestions then I expected, blankness, addiction, post hypnotic servitude, chastity, denied orgasm are all touched upon, along with the main theme of forced milking. Overall this 26 minute mp3 was another delightful arousing experience from Mistress Alexandra, and whilst it doesn’t quite top my favourite list of Her recordings, I wouldn’t hesitate recommending Her sessions to anybody seeking erotic storytelling and fantasy.
My next choice was ‘Lie Still‘ from Mistress Carol‘s Dungeon series. Mistress Carol is building quite a collection of BDSM themed sessions, many cover themes you would be hard pressed to find elsewhere. The bondage subject of ‘Lie Still’ is Mummification, not something I have experienced in ‘real-time’ before. I struggled with the induction for this session. I fell asleep on my first few attempts as initially I found it overly long and dull. Mistress Carol has a haltering style and there was little flow to the induction which I toiled to stay with. Once induction overcome however and trance induced I was treated to a smooth deep trance and a wonderfully tactile experience. Mistress Carol recommends that one listens to Her ‘Trip Wire’ session a number of times as a precursor to Her dungeon series and I’m glad I did. The meat of the session is sprinkled with direct and effective deepeners and I really felt the drop to each one, I am sure I benefitted directly from this previous recording. I found Mistress Carol’s voice pleasant and easy to follow throughout but it is in the second half of the recording where She gets the background beats and effects absolutely spot on, my trance was appreciably enhanced by this. Mistress Carol described everything simply and clearly, and suddenly Her haltering style became a benefit rather than a hindrance, offering me time to explore and savour each sensation. For example, the smell of the leather, the feel of Mistress Carol’s fingers digging in to the skin, the numb sensation which followed hard upon. And speaking of hard upon, the intense arousal caused by Her dragging her fingers slowly down my legs was overwhelming. But it was the actual encasement that thrilled me the most. I got a real sense of immobility and restriction, feeling unable to escape as Mistress Carol set about planting Her devious yet delightful triggers. I found this session difficult to start with but it was well worth the perseverance, I envy Mistress Carol’s slaves their journey.
And so next to ‘Takate Kote‘ by Mira Stern. I’m not sure what I expected from this session, rope bondage theme was obvious, but Mira Sterns sessions come with a stamp of sui generis, unprecedented and anomalous, what I get is never what I would expect. I listened to ‘Zazen‘ as a prelude, to which I highly recommend as I was now suitably sedated and conditioned for the start. Part of Mira’s ‘Bushido’ series, it is not a requirement to have listened to the whole, I have missed a few myself, but as Mira Herself put it, “Normally it doesn’t matter as much, but this time I think that would help this rock”. The session itself opened peaceably, I am reclining in trance, abating the blood after the fireworks of Zazen’s end, adrift in the tranquil ambiance that the opening sets. A moment of détente… before a siege begins. A barrage of suggestions, a bombardment of propositions, a cannonade of arousals, and I swift found myself beset, my last resistance being torn strip by strip till I lay naked and defenceless. I felt like I was being pinned to the floor by the meanest girl in school, tweaked and tormented, all the while whimpering, ‘it’s not fair, She jumped me…I wasn’t ready!!’ It was a relentless assault of seductions, and as with everything Mira, there is a literary beauty to it all. This was not the bondage I had anticipated, but it was bondage nonetheless. I was bound to Her every word, grasping impossibly at every syllable, despairing as whole phalanx of prose scampered by just beyond grasp again and again. I was voracious to Her every word. Eventually another pause, a breath, a confounding lull, and then… a gloved hand, a glimpse of rope, and it began. Upon suggestion my arms moved automatically to fold, hand upon hand behind my back. The ritual binding was described in detail, with every twist, truss, and tie felt. At one point all breath in my chest was forcibly expelled as the rope pulled tight. I felt the gloves more than once and shudder even now at their touch. The Constriction was compelling. I felt the rope… I smelt it, I could taste it in the air, and yet… I am left now in sobriety with the supposition that the whole experience was but a metaphor. So prevalent was the love/addiction, so strong, so binding. I feel differently now towards Mira then I did before Takate Kote. I have the strongest desire now to retreat back to the beginning, and experience Bushido step by step and become what Mira wants me to become. But I felt the rope…
My final choice was a session I know very well, ‘Bound‘ by the extraordinary Lady Lana. As this recording does not come with induction of its own, I choose Lana’s ‘Obey Now’ induction, it is a little noisy but I found the theme and tone sat just right for what was to follow. If one listens to a Hypno-Domme often enough, one may find they become conditioned to Her voice, becoming aroused at certain words, falling deep to certain phases, they may feel need to submit to every order. With Lady Lana this did not apply for me, I felt it from the instant I first heard Her sumptuous voice. There is no voice like Lady Lana’s, I feel arousal in every syllable, I’m filled with an irrepressible lust, She is my most potent aphrodisiac, and my skin tingles to Her whispers, in and out of trance. Thus my resistance to a regular Lady Lana fix is based purely on the instinct of self preservation. As with many of Lady Lana’s recordings, I get the feeling that She is right there with me in the room, there is an instant connection. She establishes it early in this session, the seduction is overwhelming. She tells you She wants your submission, wants to control you, and wants you to be all Hers. It all adds immensely to the coming submission, and the depths to which you will fall for Her. I soon found myself blindfolded on a satin-sheeted bed, trembling in anticipation as She baits my submission. She tells me to relax… how the bloody hell She expects me to relax whilst lying naked on a bed blindfolded and at the mercy of a Goddess is beyond me. Soon my arms raise involuntarily above my head and metal bracelets click shut, binding them in place. It all feels very, very real. I taste the rubber ball forced into my mouth as if it were. Many of the sensations She describes are vividly felt, others miss, but it is Her nails digging deep into my skin which were the most affecting… sensational at times. I did miss a few of Her words a couple of occasions when the background music overtook the vocals, but in all honesty, I could pick holes here and there but when a session affects me as deeply as this, what the hell does it matter. I wouldn’t change a second of this experience, the feeling of powerlessness, utterly at Her mercy. I am left to wonder just how far She could push me, just how much She could make me feel, just what She could have me believe… I wonder. Screw self preservation, I’m going back for more!
Lucid.
Links: Bound & Milked, Lie Still, Takate Kote, Bound
Three Inductions…
A question answered by Goddess Lycia on formspring recently prompted me to think about inductions. I’ll quote the relevant part of the answer – “The other day a sub told me that he thought it was *so cool* that I do inductions, because most Hypnodommes leave the induction part out. I was like, well that’s not hypnotism then, lol. The induction is an essential part!” This reminded me of the following piece of advice from Mira Stern‘s blog which resonated with me when I first read it. “If you don’t know the phases of a traditional hypnosis session and if you have no idea of the timing on average, chances are you’re jumping the gun. This information is very easy to learn through about 1 hour of reading at the most, and for free. -My favourite – mind control with NO induction phase, AND no attempt at a fast induction, NO NLP based language and nothing more than “you are getting sleepy” droned into a mic. Once. Sure. If you don’t know why that isn’t hypnosis, see above.” Two very unique hypnodommes with very different styles and approaches who, based purely on their recordings, get it so right in practice and theory.
And of inductions. It is often the Lady with the most hypnosis qualifications listed that produce the most benign and lifeless inductions. Erotic hypnosis isn’t hypnotherapy, it is seduction. It is often poetic, an aria, a persuasion. You don’t ‘put someone under’ in erotic hypnosis, you lure them in, enwrap them. Equally Femdomme hypnosis isn’t effective just because She says it is, you’ve got to earn the trance and the submission follows. For this some may lambast me and accuse me of ‘topping from below’, or tell me I’m not a true submissive…so be it. When I’m browsing for new sessions it is a shame that I view any product marked ‘hypno-robo’ with deep suspicion.
Every ‘deep’ or fulfilling trance is reliant on the quality of the induction. You can of course use well set triggers to induce the initial ‘drop’ into trance almost instantly, but those are rare and often reliant on the subjects mind being in just the right susceptible/suggestible state; and even then it has to be qualified by the following deepeners to ‘bed’ in the trance and take it further. Of course my opinions on this are based purely on my personal experience and others may have different.
Some days I don’t want submission, a fantasy, or to be manipulated or subjugated. Some days I just want an escape. On these occasions I turn to stand alone induction recordings to guide me into a trance, and often follow it with a gentle symphony or concerto, or more recently I have been experimenting with more vibrant compositions. I have also tried a selection of slow tempo female vocalists, but due perhaps to the variation in recording levels this hasn’t been altogether successful. Other times I may just listen to the induction alone and see where my own thoughts take me. Usually I drift to full sleep but occasionally, just occasionally, I’ll experience some most exceptional lucid dreams.
Here are three of my current favourite stand alone inductions, a list I hope to add to.
Madeira Darling‘s ‘Visualization Induction‘ is a superb 15 minute induction that unfailingly induces a deep and tranquil trance in me each and every listen. A delight in relaxation. No effects or background music, just the impeccable delivery of a script that works. The production is spot on with little noticeable hiss which accompanies many vocal only recordings. Perhaps it was just a case of the right person, standing in the right place at the right time, but I found this a far superior experience to Her other inductions. I quote from my own review of it a while back, ‘it gave me exactly what I was looking for, a delightfully warm and pleasant trance that was equally fulfilling and satisfying, a much needed reminder of why I fell in love with trance and the women who induce it. Madeira’s voice is a breathy blend of charm, enchantment and sensuality, inducing a warm and comfy sensation, akin to being wrapped in the most inviting of woollen blankets. Her voice retains an even quality throughout, only occasionally slowing to elongate and amplify chosen words or phrases, but never overbearingly so, avoiding the forced whispers and tone variations which blight many a potentially effective induction. I found the visualizations, especially the wooden door, easy to follow and aided the relaxation experience.’ I make no apologies for not finding any fault with Madeira’s recording; I’m just too deeply in love with this session to look for any.
Next is a very different induction by the incomparable Lady Lana. ‘Relax Now‘ is a full body relaxation induction that takes its own time and induces an ethereal and deeply sensual trance. Lana’s delivery style is very relaxed, almost conversational as to sound as if She uses no script at all. As with all Lady Lana’s recordings it is all about the voice, that accent, instant intoxication, and at times overtly arousing, yet delivered with a nonchalant ease that is often irresistible. The recording maintains its pace perfectly throughout, a flowing current I fall willingly into every time. Time disorientation is a natural side effect for such a file, but also I have experienced all over tingling sensations. I have found on a couple of previous Lady Lana recordings that, whilst the background music is always well chosen, it can on occasion overpower the vocals. The music is strong here too but Lana’s voice, whilst not 100% clarity at all times, is very much the dominant and I soon find myself so enrapt in Lana’s performance that the music remains very much a simmering background. There are plenty of deepeners throughout, and it is not until the induction is over that I get a real sense of just how deep Lana has led me. I wrote of this last October ‘Lady Lana’s voice is, as usual, totally irresistable. At times I find Her every word a provocation of lust and arousal that binds my mind and body in utter subjection. 50% sedation, 50% seduction’. This is a luxurious piece of hypnosis to pamper the mind with.
My final choice is the remarkable ‘Zazen‘ by Mira Stern. This session is just so wonderfully conceived and executed. The initial induction phase centres on breathing and feels as much a meditation as an induction. The usual Mira creativity of script seems a little more restrained initially as She seems to settle for a more ‘traditional’ induction structure. As I’ve come to expect from Mira Stern, Her vocal performance is clear, flowing and quality throughout. The music and audio effects are well used and the background vocals hint softly at Fem-Domme. On first listen, I was well into the measured full body relaxation when I became aware that there is more to this induction then was immediately obvious. I was being subtly manipulated, Mira’s suggestions manoeuvered my thoughts skillfully toward places and directions Mira wanted them to go. It felt like I was drifting, but suddenly I became aware that Mira controlled the current. It was towards the end of the session however, the deepening phase where the drifting turned to sinking and dropping, that Mira’s natural ingenuity and finesse comes brilliantly to the fore. Suddenly I wasn’t being lead by Her voice, I was chasing it, seeking it, craving it. The pace now noticeably increased, all previous subtlety gone and as so often happens with Mira’s creations, this session takes an unexpected but oh so fulfilling turn. Make no mistake that this is primarily a fantastic induction, deepener, and meditation. But it is also so much more.
Lucid.
Links : Visualization Induction available at clips4sale, Relax Now, Zazen
‘Lux et Veritas’ by Mira Stern – a review and dedication.
The Abduction of Europa – Rembrandt 1632.
Among the fields, the milk-white bull surveyed,
and viewed his spotless body with delight,
and at a distance kept him in her sight.
At length she plucked the rising flowers, and fed
the gentle beast, and fondly stroked his head.
He stood well-pleased to touch the charming fair,
but hardly could confine his pleasure there.
And now he wantons o’er the neighbouring strand,
Now rolls his body on the yellow sand;
And, now perceiving all her fears decayed,
Comes tossing forward to the royal maid;
Gives her his breast to stroke, and downward turns
His grizzly brow, and gently stoops his horns.
In flowery wreaths the royal virgin dressed
His bending horns, and kindly clapt his breast.
‘Till now grown wanton and devoid of fear,
not knowing that she pressed the Thunderer,
She placed herself upon his back, and rode
o’er fields and meadows, seated on the God.
He gently marched along, and by degrees
Left the dry meadow, and approached the seas;
where now he dips his hoofs and wets his thighs,
now plunges in, and carries off the prize.
The frighted nymph looks backward on the shore,
And hears the tumbling billows round her roar;
But still she holds him fast: one hand is born
Upon his back; the other grasps a horn:
Her train of ruffling garments flies behind,
Swells in the air, and hovers in the wind.
Ovid, – Metamorphoses, book II (translation).
The seduction and abduction of Europa as described by Ovid resonated so penetratingly with my first experience with ‘Lex et Veritas’, I believe it bore reproduction.
‘Lux et Veritas’ by Mira Stern
This recording is fundamentally an extremely effective deep relaxation session that induces a most warm and fulfilling trance. The induction is well crafted and continuous, taking you deeper and deeper, giving the mp3 a sense of journey, progressive yet never forced; in fact the pacing of this session is nigh on perfect. Early elements of mindfulness serve to focus the mind effectively and offer the listener an impression of positivity. The continuous music offers a gentle background presence and likewise the stream-like water effect. Both compliment the ambiance and never impact on the vocals.
The script is as fresh and enigmatic as all of Mira Stern’s works. There are few things more seductive in this world then a Woman who can stimulate ones imagination. In this respect, there are few Women in the world more seductive then Mira Stern. Her natural creativity is perceptible in every sentence, as astute as it is poetic; Mira’s eloquence is unmatched in erotic hypnosis. Her vocal delivery is even and clear throughout. Inflection is rare, allowing the script to radiate its own quality. Only towards the rear does Mira add nuance and emphasis to Her performance, thus heightening the already tense sensuality of the crescendo.
‘Till now grown wanton and devoid of fear, not knowing that she pressed the Thunderer, She placed herself upon his back, and rode o’er fields and meadows,’
Succumbing to this trance is easy, seduction lies in and between every word. As mentioned before, the tempo is immaculate, and thus I quickly found myself enamoured and felt secure in giving myself up freely to the experience. Then Domina does something that literally took my breath. Suddenly I found myself plunged into an ocean, being carried away from dry land and yet holding fast.
‘But still she holds him fast: one hand is born
upon his back; the other grasps a horn:’
For 5 days running now I have returned and even though I now see it coming, the anticipation of the event is as potent as its first flourish. As Domina puts it in her own words, ‘as I got to the suggestion something wicked happened. Something so blitheringly obvious, but so blindingly devastating in its power.’
I’ll happily end with quoting a previous post on Domina Stern, ‘one of only a handful of hypno-artists creating dynamic sessions that stimulate the ‘experience’ of erotic hypnosis through engaging the subject to use his/her mind and imagination. The avant-garde of erotic hypnosis….a unique mind. A delight.’
Brava Domina and thank You.
Lucid.
Links: Lux et Veritas, Mira Stern
